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about that.

Yesterday I said something like "autumn is not ready to let this city go" because threatened snow hadn't shown up. It came overnight and I am doing that thing where I tell myself it is beautiful and fight to see this beauty, the way I have to when I look at art I don't understand or try to read a book that isn't grabbing me. 

firstsnow2015

My parka hasn't been taken out of storage yet so I shoveled in a waffle top, fleece, leggings, jeans, and a wool peacoat. I also put on Myron's dad's giant Soviet fur-lined hat. Desperate times, dude. The wind pushed me around and went through me so cleanly it's almost amazing that I don't have holes afterward. 

I really do talk about other things besides the weather. Or I try very much to. Today there was nothing to photograph, nothing to think about except the 2015-ness of this year, which is what the first snow really makes me think about. I get self-reflective early enough that by December I'm sick of looking back. Did I get enough done? Never. Did I do anything new, anything that mattered? I think so. I think about the way Papá used to be, how vibrant and with-it and even kind of snarky and at the same time, almost childlike in his pleasure with his possessions and his collections and in Myron. I think about the way he said by golly at the end of a sentence, when he was really and truly stunned by something, a politician or the price of a prescription or the persistence of a telemarketer. He said it like he meant it, like it had a meaning. There were times this year when I was of use to the man he is now, when I either didn't take his bullshit or when I did. He is not unrecognizable from the man who chopped down those trees. But there is so little of that man left that you can't help seeking it out, scanning for it always, the way you look at a night sky and can't process the darkness, just the scattered little bits of light.